Friday, May 31, 2019

In The Wrestling Age


The Mass Media Is Poisoning Us With Hate

By Chris Hedges
May 27, 2019

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The new media, Taibbi points out, still manufactures consent, but it does so by setting group against group, a consumer version of what George Orwell in his novel “1984” called the “Two Minutes Hate.” Our opinions and prejudices are skillfully catered to and reinforced, with the aid of a detailed digital analysis of our proclivities and habits, and then sold back to us. The result, Taibbi writes, is “packaged anger just for you.” The public is unable to speak across the manufactured divide. It is mesmerized by the fake dissent of the culture wars and competing conspiracy theories. Politics, under the assault, has atrophied into a tawdry reality show centered on political personalities. Civic discourse is defined by invective and insulting remarks on the internet. Power, meanwhile, is left unexamined and unchallenged. The result is political impotence among the populace. The moral swamp is not only a fertile place for demagogues such as Donald Trump—a creation of this media burlesque—but channels misplaced rage, intolerance and animosity toward those defined as internal enemies.




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“If you watch a [‘Sunday NFL] Countdown’ you’ll see the sets are designed exactly the same” as that of “Crossfire.” “The anchor on one side. There’s usually four commentators—two that represent each team. They have graphics that tell you what the score is, who is ahead, who is behind. We want people to perceive politics as something they have a rooting interest in. There’s no possibility of any gray area in any of this. Your political identity can’t possibly bleed into any other political identity. You are on one team or another. That’s it. We don’t even acknowledge the existence of people who have different types of ideas. For instance, anti-abortion but also pro-union. Whatever it is. That doesn’t exist in the media.”




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The template for news, Taibbi writes, is professional wrestling.

“Wrestling was a commercial formula that they figured out worked incredibly well,” Taibbi said of the corporate owners of news outlets. “There was a simplified morality play where there was a good guy, who was called the baby face, and a bad guy they called the heel. They relentlessly hyped the bad guy. The heel was more important in wrestling and more popular than the face. The amount of tickets they can sell is a direct correlation to how much people hate the bad guy. You have to have a hateable heel in order to make the formula work. This is how news works.”
Reporters, Taibbi writes in his book, “now regularly do the outraged hero, finger-pointing routine whenever they are within a mile of Trump. Jim Acosta’s confrontations with the president, for instance, seemed pulled straight from WWE [World Wrestling Entertainment] outtakes. Trump’s whole presidency has turned into a heel/hero promotion with Bob Mueller in the face role.”


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